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Cháng Hèn GēSong of Everlasting Sorrow 长恨歌

Bai Juyi (白居易, also known as Po Chü-i, Bai Letian)|Mid Tang|seven-character ancient-style ballad

Bai Juyi's ballad of Emperor Xuanzong and Yang Guifei.

Original Chinese text with pinyin

汉皇重色思倾国
hàn huáng zhòng sè sī qīng guó

御宇多年求不得
yù yǔ duō nián qiú bù dé

杨家有女初长成
yáng jiā yǒu nǚ chū zhǎng chéng

养在深闺人未识
yǎng zài shēn guī rén wèi shí

天生丽质难自弃
tiān shēng lì zhì nán zì qì

一朝选在君王侧
yī zhāo xuǎn zài jūn wáng cè

回眸一笑百媚生
huí móu yī xiào bǎi mèi shēng

六宫粉黛无颜色
liù gōng fěn dài wú yán sè

……

在天愿作比翼鸟
zài tiān yuàn zuò bǐ yì niǎo

在地愿为连理枝
zài dì yuàn wéi lián lǐ zhī

天长地久有时尽
tiān cháng dì jiǔ yǒu shí jìn

此恨绵绵无绝期
cǐ hèn mián mián wú jué qī

Simplified characters; traditional title: 長恨歌. This is a long poem; only the best-known lines are shown, and “……” marks omitted passages.

English translation

The Han emperor prized beauty and longed for one who could topple a kingdom;

for years upon his throne he searched and did not find her.

In the Yang family a daughter had just come of age,

raised deep in the women's quarters, unknown to the world.

Such beauty, given by Heaven, could not stay hidden;

one morning she was chosen to stand at the sovereign's side.

When she turned her eyes and smiled, a hundred charms were born;

the painted ladies of the Six Palaces lost all their color.

(…)

"In heaven, may we be birds that fly wing to wing;

on earth, may we be trees whose branches intertwine."

Heaven endures, earth lasts long, yet both will someday end;

this sorrow goes on and on, with no end at all.

Original translation by Poetune — literal but poetic, written for this site.

Line by line

汉皇重色思倾国 · hàn huáng zhòng sè sī qīng guó — The Han emperor prized beauty and longed for one who could topple a kingdom;
御宇多年求不得 · yù yǔ duō nián qiú bù dé — for years upon his throne he searched and did not find her.
杨家有女初长成 · yáng jiā yǒu nǚ chū zhǎng chéng — In the Yang family a daughter had just come of age,
养在深闺人未识 · yǎng zài shēn guī rén wèi shí — raised deep in the women's quarters, unknown to the world.
天生丽质难自弃 · tiān shēng lì zhì nán zì qì — Such beauty, given by Heaven, could not stay hidden;
一朝选在君王侧 · yī zhāo xuǎn zài jūn wáng cè — one morning she was chosen to stand at the sovereign's side.
回眸一笑百媚生 · huí móu yī xiào bǎi mèi shēng — When she turned her eyes and smiled, a hundred charms were born;
六宫粉黛无颜色 · liù gōng fěn dài wú yán sè — the painted ladies of the Six Palaces lost all their color.
在天愿作比翼鸟 · zài tiān yuàn zuò bǐ yì niǎo — "In heaven, may we be birds that fly wing to wing;
在地愿为连理枝 · zài dì yuàn wéi lián lǐ zhī — on earth, may we be trees whose branches intertwine."
天长地久有时尽 · tiān cháng dì jiǔ yǒu shí jìn — Heaven endures, earth lasts long, yet both will someday end;
此恨绵绵无绝期 · cǐ hèn mián mián wú jué qī — this sorrow goes on and on, with no end at all.

Meaning and imagery

The ballad begins almost as a fairy tale of beauty and favor, then (in the omitted middle) turns to rebellion, Yang Guifei's death and the emperor's endless grief, ending with a Daoist magician who finds her spirit on an island of immortals. The closing vows — birds that share wings, trees that grow together — became the standard images of devoted love in East Asia. The final couplet sets human feeling against the cosmos and lets sorrow outlast heaven and earth. The poem was a favorite in Heian Japan and shaped "The Tale of Genji."

Background

Written in 806, about fifty years after the An Lushan Rebellion, in which Emperor Xuanzong's beloved consort Yang Guifei was forced to die. Bai Juyi calls the emperor "the Han emperor" to keep a polite distance. The full poem has 120 lines; only the opening and the famous ending are shown.

Key words

倾国 qīng guó
"overturning a state" — a woman of devastating beauty
六宫 liù gōng
the imperial harem
比翼鸟 bǐ yì niǎo
mythical birds that fly only in pairs
连理枝 lián lǐ zhī
branches of two trees grown together

About the poet: Bai Juyi

Bai Juyi (also romanized Po Chü-i; courtesy name Letian) wrote in a famously plain style — legend says he read drafts to an old woman and revised anything she could not understand. An outspoken official, he was exiled to Jiangzhou and later governed Hangzhou and Suzhou. His poems were hugely popular in Heian Japan.

Lifetime: 772–846. Other famous works: On the Night of the Fifteenth of the Eighth Month, on Duty in the Palace, Thinking of Yuan Zhen (八月十五日夜禁中独直对月忆元九); A Question for Liu the Nineteenth (问刘十九); A New Mountain Cottage Below Incense Burner Peak, Written on the East Wall (香炉峰下新卜山居草堂初成偶题东壁); Grass on the Ancient Plain: A Farewell (赋得古原草送别); Song of Everlasting Sorrow (长恨歌); The Song of the Lute (琵琶行); The Old Charcoal Seller (卖炭翁); Evening Song by the River (暮江吟); On the Pond (池上); White Cloud Spring (白云泉); Remembering the South (忆江南); Sent to Xianyou Temple (送王十八归山寄题仙游寺); Lotus-Picking Song (采莲曲); Spring Walk by Qiantang Lake (钱塘湖春行); To Yin, Master of Music (寄殷协律); Spring on the Lake (春题湖上); Peach Blossoms at Dalin Temple (大林寺桃花); Night Snow (夜雪).

Names from this poem

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